Katie Kate sings, raps, and makes big, synth-heavy electronic beats informed by modern hip hop & pop… which, although it sounds terrible on paper, actually works very well in a surprisingly original way on many tracks of this album. Rushmore shows her knack for creative ways to lyrically express hip hop bravado, and her groovy, catchy hooks are best exemplified in Drift (trk4) and Sadie Hawkins (trk9).
This EP is fire. It’s four songs that are each different and awesome in their own way. The first sounds like Phoenix mixed with some ragtime piano. It’s some real catchy and poppy stuff. Track 2 is a full on dance party with Daft Punk like guitar riffs, disco vocals, and loads of funk. 3 is upbeat and soaring. It’s got precisely plucked guitars and punctual synths. 4 is a cross between Miami Horror and Justice with a little bit of rap three quarters through the track.
Lemaitre is discodude duo, Ulrik Denizou Lund and Ketil Jansen. The group is named after Belgian scientist, Georges Lemaitre. He is credited with proposing the concept of the Big Bang. Boom. Check it out.
On Patterns & Light, Kodomo creates sprawling, cinematic compositions over energetic, dancefloor-friendly electronic beats. Most of the tracks center around a melody line from an organic source, usually piano, marimba or female vocals, bolstered and surrounded by expertly crafted synths, sweeps, and effects. Lots of long buildups & breakdowns, gradual progressions, and general electronic epicness. RIYL Jon Hopkins
Favorite Tracks: Impromptu , Mind Like A Diamond , Blue Shifter 
The consistently innovative hyperdub is still pushing boundaries in electronic music 10 years after its creation, originally as a blog about dub music’s influence in the UK underground electronic music scene. 10.2 shies away from the bangers and focuses on tunes that lean more in a soul and R&B direction – featuring a variety of guest vocalists, notably Fatima and Ghostface Killah, over beats that blend influences from far corners of dance music, from the dream-electro-R&B of Jessy Lanza to Terror Danjah’s booming hip hop/grime/post-dubstep production with Meleka’s nostalgic UKG-style vocals.
Favorite Tracks: Burial - Shell of Light , Jessy Lanza - You And Me  Morgan Zarate - Sticks & Stones ft. Eska & Ghostface Killah , DVA - Just Vybe, ft. Fatima , Terror Danjah - You Make Me Feel ft. Meleka 
Dutch producer Martyn brings stripped-down, rolling four-on-the-floor dance grooves, on mostly 5-6 minute tracks that are supported by repeated melodic phrases, whose timbre changes over the duration of the track. Each tune is strong sonically & melodically, and Martyn’s ear for subtle transitions, layering & detailed sound design shines through. The only drawback is that a lot of these beats may seem drawn out & repetitive to some radio listeners.
Favorite Tracks: Drones (4), Two Leads And A Computer (6), Forgiveness Step 2 (7)
Xeno & Oaklander are a Brooklyn-based duo who combine pulsating retro/electro analog synth beats in the vein of Kraftwerk with floaty, reverby female vocals to create a very effective false sense of nostalgia. Their whole aesthetic seems to be a kind of throwback to German & French pop music of the 80s (read: 99 Luftballons), with added influence from more modern minimal techno & house music.
from his bandcamp: "On Ultraviolet, Sadistik closes his eyes tight and reaches out towards the peripheries of perception through introspection and psychedelic escapism, transcribing the vivid images crawling on the dark purple walls of his Seattle studio."
The strong imagery and creativity of Sadistik’s lyrics, peppered with horror & sci-fi references, come together with deep, melodic & lushly layered beats for a cinematic, often epic feel.
Favorite Tracks: Cult Leader (1), Cubic Zirconia (5), Death Warrant ft. Sticky Fingaz & Tech N9ne (11)